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Security and Finances at Athelhampton House & Gardens

16th Century English money was solid, heavy, and made from precious metals. While the history of lightweight money in the form of promissory notes dates back to nearly 150BC in Carthage, by Tudor times money was made of (mostly) gold and silver. Some coins, like the gold sovereign, looked like a modern day chocolate coin in terms of colour and size!


Gold coin on a black background. At the centre is shown Elizabeth I, hair down, and imperial crown on her head. In her hands are the sceptre and orb. Around the edge are the words "Elizabeth D. G. Ang. Fra. et Hib. Regina" - Elizabeth, by the grace of God of England, France, and Ireland Queen
Gold Sovereign, or £1, from the time of Elizabeth I

At this time, the Martyn family of Athelhampton had huge amounts of wealth, and this needed to be stored somewhere. Banks existed since Medieval times, with the Knights Templar accepting deposits of money from pilgrims to the Holy Land, so that they could avoid being targeted by robbers while still being able to withdraw their money along the route. Through the Renaissance, banks were common in Italy and the Holy Roman Empire, but not so much in England. The first central bank wasn't established until 1668 in Sweden, and the Bank of England wasn't established until 1694. So how were the Martyns to deal with their security and finances at Athelhampton House & Gardens?


An illustration of lots of men in long, curled wigs crowded around a table to sign an document. The table is in the foreground, and one man's coat and hat have been discarded on the table.
Sealing of the Bank of England Charter in 1694, drawn in 1905

In Christopher Martyn's will of 1524, one daughter receives 2000 marks, while a granddaughter received another 1000 marks. Tudor money wasn't decimalised, which makes calculations slightly more complicated.


1 penny and tuppence are obvious

1 groat = 4 pence

Sixpence again is clear

1 shilling = 12 pence

1 angel = 10 shillings, or 120 pennies

£1 = 20 shillings, or 240 pennies


1 mark wasn't a coin, it was simply a unit of account, used when dealing with large sums of money. It was equivalent to 2/3 of a pound, 160 pence, or 13 shillings and 4 pence.


So, in his will, Christopher Martyn was giving what amounts to £2000 to these two women. The value of coins was in the weight of the metal in them - except for times when the currency was debased, a penny was worth its own weight in silver. So, £2000 in silver would have weighed more than 230kg, and £2000 in gold would have weighed over 20kg. And that's without taking into account all of the other money bequeathed!


Gold coin shown front and back on a white background. In the left, St Michael the Archangel is shown defeating Satan. On the other side is a ship, shown from the side, with the English coat of arms on a large shield on the side.
An Angel, of the time of Henry VIII

The best place to keep all of this money that the Martyn family of Athelhampton made from customs and sheep farming, would have been in a coffer or strong box. From the end of the 16th century, metal strong boxes with incredibly complex locks were being crafted in Flanders and Germany, especially in Nuremberg.


An engraving of a large, heavily decorated chest shown with its lid open to reveal a complex locking mechanism that sends bolts attached to the lid into the sides of the box when closed
Engraving of a 16th century strong box with a complex locking mechanism inside the lid

These chests were incredibly distinctive: they were made entirely from wrought iron, strengthened with interlaced bands of wrought iron, and often painted in bright colours. And we have one such chest in the Solar at Athelhampton!


A close up photo of the false lock on the front of the Armada chest. The lockplate is rusty brown, and ornate swirls fan out from the centre of the keyhole. Behind it is green paint, showing through between the swirls and behind the lock plate, where the keyhole would be but isn't
False lock on the Armada Chest in the Solar at Athelhampton

It still retains its bright paintwork to this day. On the front side of it is a huge, elaborate lock plate. This is delightfully misleading: it's completely fake, and as you can see in the picture, there's no keyhole there at all.


A large, heavily rusted padlock shown against the background of the swirly floral decoration of the armada chest
Padlock on the Armada Chest in the Solar at Athelhampton

In reality, the chest relies on two huge padlocks for its security, along with a hidden lock. The purposeful, undecorated padlocks contrast starkly with the painted floral patterns covering the chest, while the hidden lock is beautifully disguised inside the lid.


The hidden lock is in the lid, and is the most important - when it's secured, it shoots 12 bolts out from the lid into the sides of the box, making it impossible to open. This is a key characteristic of these wrought iron strong boxes that became known as "Armada Chests."


A close up of the lid lock on the armada chest. The small panel of painted metal that hides it has been slid to one side, to reveal the keyhole
Hidden lock on the Armada Chest in the Solar at Athelhampton

In Victorian times, chests like this earned the title "Armada Chests" thanks to the romantic notion that they were created to hold bullion to finance the Spanish Armada, and were then washed up on English beaches from the wrecked ships.


In reality, the majority of these chests were made at a later date than 1588: they continued to be created in southern Germany through into the last quarter of the 18th century, and were exported all over Europe. They varied hugely in size, from a few inches to several feet.


A close up of a painted miniature landscape on the Armada chest, showing a bridge arcing over a river, with a small building in the middle of the bridge
Miniature landscape painted on the Armada Chest in the Solar at Athelhampton

In amongst its floral designs, the Armada Chest at Athelhampton has tiny landscape paintings - little windows into a world that no longer exists. This forerunner of the modern, commercial steel safe would have been approved of by William Morris, being both beautiful and useful,


A close up of one of the miniature painted landscapes on the Armada chest, showing a tree on a high bank on the lefthand side. Either a river or a road is flowing through the middle of the landscape, and in the background, towards the right is a city or castle.
Miniature landscape painted on the Armada Chest in the Solar at Athelhampton

If you want to see this work of art for yourself, you can visit Athelhampton all year round, any day of the week, save for a few days over Christmas. The Armada Chest stands in our Solar, also known as the King's Room, one of the earliest rooms to be built at Athelhampton.


A miniature landscape painted on the armada chest, showing a hill with a road working up the centre of it towards a large, walled city, populated by square, blocky buildings.
Miniature landscape painted on the Armada Chest in the Solar at Athelhampton










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